Angela Jackson 
Major Works
- Voo Doo/Love Magic (book of poetry)
- The Greenville Club (chapbook)
- Solo in the Boxcar Third Floor E, 1985
(book of poetry)
- The Man with the White Liver (book of poetry)
- Dark Legs and Silk Kisses: The Beatitudes of the
Spinners (book of poetry)
- And All These Roads Be Luminous: Poems Selected and
New, 1998 (book of poetry)
- Witness! (play)
- Shango Diaspora: An African-American Myth of Womanhood
and Love (play)
- When the Wind Blowsay) (play)
- Open Places (Open Places poets
series ; no. 37)
----------------------------------------------------------
Biography of Angela Jackson
By Nancy Ward (SHS)
Angela Jackson is native of Mississippi who is known for her
rich talent and wonderful versatility in writing literature.
She has written many volumes of poems, several short stories,
and a popular romance novel. Although she is very versatile,
Angela is best known for her talent in writing poetry.
Her use of metaphors and intensive language is admired by many,
and she is also very well known as an incredible reader in public
of her own poetry and stories.
Angela was born in Greenville, Mississippi, on July
25, 1951. She was the fifth child of George and Angeline
Jackson, and four siblings followed her. Angela
spent her earliest years living in Greenville, but her family
later moved to Chicago, Illinois. She stayed in Chicago
during college and attended its prestigious Northwestern University,
where she received influenced by Mississippi writer Margaret
Walker, who was a visiting professor at the time.Jackson graduated
from NU's College of Arts and Sciences in 1977. During the 1970's
in Chicago, Jackson became one of the most desired readers and
performers because she was able to master the art of pause and
rhythm during a performance.
Jackson is also very well know for her involvement in Chicago's Organization of Black American Culture (OBAC). The influence of this organization has had a great effect on Jackson's writing. Its main goal was to advance "the conscious development and articulation of Black Aesthetic." Members are encouraged to express in words the "Black Experience" and also pay attention to and focus on the works of other African American authors.
Jackson has completed many works in her lifetime and will probably
produce more. Her books of poetry include Voo Doo/Love
Magic (1974), The Greenville Club (chapbook)
(1977), Solo in the Boxcar Third Floor E (1985),
and The Man with the White Liver (1987).
Dark Legs and Silk Kisses: The beatitudes of the Spinners
(1993) was voted by The Chicago Sun-Times
one of the four best Chicago books of 1993. And All These
Roads Be Luminous: oems Selected and New was published
in 1997. Her plays include Witness! (1978),
Shango Diaspora: An African-American Myth of Womanhood
and love (1980), and When the Wind Blows
(1984).
2008 UPDATE: At least one other work has been
published: Open Places which is number
37 in the Open Places poets series.
--------------------------------------------------------------------------------------------------------
A Review
of And All These Roads Be Luminous:
Poems Selected and New
by Nancy Ward (SHS)
Angela Jackson's And All These Roads Be Luminous: Poems Selected and New is a very deep and outstanding collection of poetry. She uses her incredible knowledge of life and literature to mix history and feeling and gives the reader a sense of connection with the poet. Her poems consist of life, love, joy, pain, and mystery, which is what everyone experiences in their day to day life. Jackson intrigues the reader by her punctuation and placement of words on the page, her incredible metaphors, and her ability to help the reader relate to her everyday life.
Jackson's punctuation and placement of words on the page pulls
the reader into her poetry. It helps the reader feel what
is important to Jackson and what she feels is distant from one
another. It also leaves the reader in a state of
suspense. For example, in her poem "Voo Doo/Love Magic,"
Jackson speaks of how she is going to get into your head and
insides and put a love spell on you. In the last line
of the poem she states: "I'm gonna put a hex on you."
The lack of a closing parenthesis in this final statement leaves
the reader in a state of suspense. The reader feels as
if it really isn't over and something more is to come, specifically
the hex. Another example of how Jackson uses punctuation
and placement of words is in her poem "Making the Name."
In this poem, she speaks of how she can get so wrapped up in
her poetry that she feels "drunk" from "half a cup of syllables,"
and she says, "Call me she who is made word inebriated."
Finally she speaks of how she is the "name of peace,/and
drunken victory." In the last two lines, Jackson writes:
"the luscious part/-ing of speech." The placement of the
word parting on two different lines helps the reader
to feel the separation of what Jackson is saying.
In her use of metaphors, Jackson makes the reader understand the similarity of simple things in our day to day life. In her poem "Loving" Jackson speaks of how loving someone is like making a cake. Both have certain ingredients that must be used. Certain steps have to be done in a specific order, and both must be developed in the right manner for everything to turn out correctly. "It all/has to be/there." Also, in her poem "Mr. Snake, I Don't Like You," Jackson compares snakes to certain types of men. She speaks of the kind of men that one doesn't want to bring home to parents, the kind who are overly protective of himself and his possessions, and the kind who cannot close his eyes long enough to dream while he sleeps.
Another way that Jackson intrigues her reader is by writing
of familiar subjects  to
which readers can relate. In her poem "The Autumn Men,"
Jackson speaks of the familiar smells and scenes of the men
of the family raking leaves and taking care of yard work while
the young girls think about their chance to love and be loved
in that atmosphere. Also, in her poem "The Cost of Living,"
Jackson talks about how hard life can be sometimes and that
it is almost not worth living. Readers can relate to this
poem because almost everyone at some point in his or her life
feels this way.
Angela Jackson's poetry is deep and very intriguing at times. She has a magical way with words that captivates her readers. I enjoyed many poems in this book, and I would highly recommend it to anyone who is interested in studying poetry.
--------------------------------------------------------------------------------------------------------
Nancy Ward's favorite poem
VooDoo/Love Magic
by Angela Jackson
I'm gon put a hex on you
work some voo-doo magic
on
yo mind.
I'mma mess wid you.
I'm gon set a love tune
in yo heart
have you singing Me
from morning till noon to
mid/
night. You cain't help
yoself.
Baby
I'm gon own yo Soul.
Gonna do to you
what you done to me/
and mo/
...wake you up at fo
just to
call my name
make you see my face/
in yo mirror
have you hearing my voice/
in the wind
you/
better/
Watch/out
Cuz
I'm getting
into yo head-
Ready to do a love thang
to yo in/
sides
Workin voo-doo on u/Doin Black/
Woman/Love
Magic
to
U.
(I'm gon put a hex on you)
--------------------------------------------------------------------------------------------------------
Related
Websites
Centerstage
provides info on Angela Jackson.
Brief
description of And All These Roads Be Luminous: Poems
Selected and New Poems by Angela Jackson.
Triquarterly Books Paperback. Publication date: January 1998
Poetry
Society of America has article by Angela Jackson called
What is American About American Poetry?
Angela Jackson
received the $1,000 Daniel Curley Award for "Great Zimbabwe,"
in TriQuarterly. The Curley Award is given to one of the Literary
Award winners for the best work of short fiction.
Beyond
the Frontier: African American Poetry for the 21st Century
By E. Ethelbert Miller has The Fitting Room by Jackson
to read online.
 Interesting
biography of Jackson from Answers.com from Oxford University
Press.
Northwestern
University highlights Dark Legs and Silk Kisses:
The Beatitudes of the Spinners by Angela Jackson,
which was the Winner of the Carl Sandburg Award for Poetry in
1993.
Smith
College's Poetry Center provides three poems by Jackson.
------------------------------------------------------------------------------
Bibliography
Scot Peacock, Ed. Contemporary Authors, Vol. 176. Farmington Hills, MI: Gale Group, Inc., 1999.
Trudier Harris and Thadious M. Davis, Ed. Dictionary of Literary Biography, Vol 41: Afro-American Poets Since 1955. Ann Arbor, MI: Gale Research Company, 1985.
---------------------------------------------------------
|
